“UNMISSABLE! AN ABSOLUTE TREAT.” ★★★★★ Everything Theatre
Following critically acclaimed seasons at Wilton’s Music Hall and several Edinburgh Festival Fringes, James Seabright is delighted to present the debut UK and Ireland tour of Alexander S. Bermange’s hugely popular revue, I Wish My Life Were Like a Musical. This wonderfully humorous depiction of the unseen world of musical theatre has so far been lauded with an unprecedented fifty five-star reviews. The highly anticipated debut UK and Ireland Tour will include spending August at the Edinburgh Fringe where it was well received last year.
Alexander S. Bermange is a composer and lyricist of sixteen musicals (including The Route To Happiness, Thirteen Days and multi-award-winning Shadowless) that have been produced in London, around the UK and internationally; music and songs for theatre productions such as Spitting Image Live at Birmingham Rep and its subsequent West End transfer, Plague Over England in the West End and the much-toured Murder On Air; and many comic songs for BBC Radio 4 and the BBC World Service.
Alexander topped iTunes’s comedy album chart with Wit & Whimsy, an album celebrating his comedic work. I caught up with Alexander in the Spring to find out more about his love of musicals and this review. Music was always something Alexander loved, as well as the idea of being creative with it. It was perhaps possible that piano lessons where the aim was to reproduce only the notes on the page in front of him, may not have been the best time to explore the creativity!
As for this show, the idea came whilst Alexander was working on a cruise ship. " I think on land, many people have this view of actors in musicals, being brought to the theatre by chauffeur-driven limousine, and taken back to swish digs afterwards (if only that were the case). But on a cruise ship everyone is onboard, and it is easier for the audience and cast to mingle at meal times and the like. But the questions on most people's lips were what was the off-stage life like."
"Hence, the revue was born, my child so to speak - one of many. Just like children are not only influenced by their parents, but teachers sports coaches and the like so it is with stage musicals. Each producer and director that puts a run on, puts their own spin on it, and its up to me the writer to decide whether to tweak the musical. For example, James Seabright worked on the show recently and introduced the idea of a superfan- I love that!"
I wondered whether Alexander preferred working as part of a team, like he was with "Spitting Image" or on his own? "It's probably 50/50 whilst there is more freedom with doing everything, there is also more worry. You have to commission producers, find theatres etc. Whereas with Spitting Image, I was commissioned to provide something. It's great to have a wide variety of work to do."
Matthew Parker is an award-winning freelance theatre director and former Artistic Director of The Hope Theatre. Recent directing includes A Midsummer Night’s Dream (Cambridge Shakespeare Festival), Vinegar Tom (OVO Theatre), The Comedy of Errors and Henry V (Roman Theatre St Albans). Whilst at The Hope Theatre he directed ten productions and won the Best Artistic Director OFFIE Award.
Matthew has received eight Best Director OFFIE Award nominations for his work and won Best Director of a Musical at the 2023 Awards for his direction of Thrill Me: The Leopold & Loeb Story (Jermyn Street Theatre). James Seabright – Producer; is an Olivier Award winning independent commercial theatrical producer and general manager.
Current productions as lead producer include Potted Potter by Dan and Jeff, Black Is The Color Of My Voice by Apphia Campbell, the immersive Trainspotting Live adapted from Irvine Welsh, Buffy Revamped and FRIEND (The One With Gunther) by Brendan Murphy, the debut world tour of Yippee Ki Yay by Richard Marsh and acclaimed new musical The Sorcerer’s Apprentice by Richard Hough and Ben Morales Frost, which premiered as a digital show in 2021 and can now be seen globally via BroadwayHD.
Previous West End productions include The Way Old Friends Do by Ian Hallard, Margaret Thatcher Queen of Soho by Jon Brittain and Matt Tedford, Adam Kay’s This Is Going To Hurt: Secret Diaries of a Junior Doctor, the Olivier Award winning Showstopper! The Improvised Musical, The Boys in The Band by Mart Crowley, Our Boys by Jonathan Lewis, and several seasons of Potted Panto and Potted Sherlock with Dan and Jeff. James chairs the boards of the League of Independent Producers and the King’s Head Theatre, and is an associate artist of Wilton’s Music Hall. His book, So You Want to Be a Theatre Producer, was published by Nick Hern.
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